Monday, October 18


Taranaki Landscape

Driving down, last Friday, the beautiful coast road from
Awakino to New Plymouth, as I often do, I saw,
and noticed, probably for the seventh or eighth time
this uptorn root system.

On this occasion, although I was very anxious to get
home and had already driven past it, I
stopped the car, turned around and went
back. It took some willpower, but I'm glad
otherwise I wouldn't be writing this post.

Notice the remains of a pa site on the hill in the background.
Time is softening the look of these sites.

Sunday, October 17


Fillet

This photo could now be
2 years old.

I have a large print pinned to one of my walls
and I often glance at it
as I walk past and think, wow,
that has the juice. Excoriation
is a word that comes to mind.

One day I will print up an edition
but of course that is costly
so in the meantime it remains here
for my personal delectation.

When I took the photo below in Eltham
a couple of weeks ago
and I was reminded of Fillet again.



Moses in Auckland

Recently I went for a walk in Myers Park
in Central Auckland,

I was amazed to see a copy of Michelangelo's Moses
sitting there, looking a long way from home.
I didn't realise at first that it was a Michelangelo
copy which only added to the impact.

Saturday, October 16

A Portrait

I have a portrait exhibition on at McNamara Gallery
at present, 29 photos but all of them black and white.

Recently I was interviewed by Nicole Stock,
the editor of Urbis magazine, and she asked
me if I would take her portrait.

Surprisingly I decided to photograph
her in colour. That's a good sign in
my photographic development
I think.

By the way, I don't usually say yes when
someone asks
me to take their photo.


The Butcher in Eltham

Eltham is a small town in South Taranaki
mainly known for its cheese.

However, it is also a very intact town
and there is an awareness that
what they have, in terms of intact
buildings, is extremely important.

There is a movement to save these
treasures, in many cases empty shops.

In this case, I took this Francis Baconish
photo through the window of a butcher's shop.
While no longer in use as such,
the window of the premises has relics in it such
as knives and other instruments
used in the ancient craft of preparing meat.

You might be relieved to know that this carcass
is not real.

Thursday, October 14



Auckland CBD

Over my life I have spent quite a bit of time
in the Auckland CBD
but recently I've been having a closer look
at the buildings and the changes
that this area is going through.

Above is a photo of Queen St.

Wednesday, October 13



Auckland CBD

Lately I have been walking around the
Auckland CBD quite a bit.

I hadn't realised how many apartment
blocks there were. This is a very
densely populated part of New Zealand.

I think that I was attracted to this building
because of its colours.


Hamish McKay Gallery

Here is another view of the exhibition that opened
last night in Wellington.

This photograph I believe was taken with an iPhone.



Tuesday, October 12



Tonight in Wellington

Tonight in Wellington six of my photographs
are in an exhibition opening at Hamish McKay

This is one of my favourites. It's called
Holy Tomato. The foot I bought in Bali
and the Italian tomato I borrowed from
a friend.

Whilst it's my personal favourite it always
seems to evoke mixed feelings.
Still, I'm hanging in there.



Monday, October 11



Room With a View

Here is a wall of an Auckland apartment
that has lots of my photographs.

Luckily,
I stay in this apartment quite often
so I get to enjoy seeing the
work all nicely framed
and carefully hung.

The walls in my home and studio are covered with
my work but the look is different to this.
There are many unframed photos
just pinned up.

One reason is that, from time
to time, I have to sell my framed works
and I don't replace them.

Sunday, October 10



Whale

Slightly uphill from New World in Freemans Bay,
Auckland there is a children's play ground.
It's modest but very appealing.

For some months I've noticed this whale
but today was different. I decided that today
I was going to take my camera and
begin work on it.

'Work' might mean 5 minutes or it could mean
taking a first version and then, if necessary, but
hopefully not, returning, in different light
perhaps.

In this case, I'm going to sleep on it.

Saturday, October 9




Exhibition

Here is the invitation for an exhibition of 6 of my photos
being shown at Hamish McKay Gallery.
It opens on Tuesday.

To make the image above larger and more readable
remember to click on it.

Friday, October 8



Cockroaches

In my New Plymouth base I have a balcony
that hovers over a gully.

On a table on the balcony I have a dish with
two cups of sugar to one litre of water in it.

With that liquid I feed tui mainly.

But often I have Silvereyes as well.

And sometimes at night, cockroaches, in this case they may be native,
drown themselves in the syrup.
Out of Africa

In recent months I've been collecting
ebony elephants, so many that
they seem to be wandering around my studio.
(which is also where I live.)

In the background here, is a photo of a house
that my mother lived in when she was a little girl,
the oldest child of a large family.

Several of that family, not only my mother, but her mother
as well are just to the left of the elephant, out of frame, but I guess that's no
help to you just now.

My grandfather worked for the railways. I think that this photo was taken
near Taihape, below Taupo, in the centre of the North Island.

Thursday, October 7


Whanganui View Point

On the north side of Whanganui, there is a high
point, with parking, built for in order to provide a view
of the city.

I was there last weekend and was attracted not by the view so much, but by a large structure
with the names of cities and landmarks from all over the world, and the distances
from that precise point to them, in miles.

Tokyo was the only Asian city shown.

I think that I particularly noticed New Plymouth's name
because that is where I have a home.



Wednesday, October 6



Portraits

Here are some portraits from a portrait show
that I have on at present at McNamara Gallery
in Whanganui.

Many of the 29 photographs have not been exhibited before.

Tuesday, October 5

Whanganui River Mouth

On the weekend I was in Whanganui,
and as usual, I left some time to visit
the mouth of the river, where it
flows into the Tasman.

Here is what it looked like on Saturday afternoon.

I was in Whanganui because I have an exhibition of
portraits at McNamara Gallery.

It opened on Friday night and is on for a month.



John Reynolds at Highlands Intermediate.

On Sunday I was at Highlands Intermediate, here in New Plymouth.
I was there because an orchid show was on in their hall.

As I walked down a corridor I came across this work,
obviously inspired by visit to the Govett-Brewster, where
John Reynolds had some similar work.

Some of my favourites
are:

Locked Door
Insanity Required.
Hello my name is...
Toothpick Eiffel Tower.
&
I See You

There are others too.

Death is Ugly

is pretty good.

Friday, October 1


Three Horns

While at Ivan Anthony's gallery in Karangahape Rd,
Auckland I noticed, in an office, these coat hooks, if that is
what one should call them. I don't know what animals
were the source of these horns.

I have a small collection of cow horns here
in my studio. I particularly like the ones that are
white but have black tips.

Visually, I find it a pity that modern dairy cows don't have horns, either by breeding, or
by removal at some early stage of their lives.

Spending the first few years of my life on a dairy farm made a big
impression on me. Seeing my father remove adult cows' horns
with a saw, I think it was, was a seminal experience of my life.
Red blood spurted out of the stump, and cows bellowed with pain.
There was no anaesthetic.

It's been on my mind for quite a while to get in touch with a vet, who may be able to
find me some more horns. Taranaki is one of the most intense dairy
areas of New Zealand so I'm a bit hopeful.